ו' בשבט תשס"ח
Imbolgen 6
Last night (see Gateway), following my cord ritual and gift of blessing given reishit "with perfect love and perfect trust" (codewords of The Craft) to the elementals, nature spirits and faeries of the crossroads, I dreamt.
It was a perfectly temperate beautiful sunny day. I had moved into a beautiful big house filled with exquisite antiques made of dark wood with my "father". The big house sat at the edge of a peaceful community. A wide sparkling river ran beside it's northern side, shining like many diamonds. The waters of the Great River river flowed peacefully west to east. I went to bathe in the miraculously sparkling pure water in my dream this sixth day of Shevat/Imbolgen (days of the growth of messianic consciousness/days of reclamation).
The house of my father and I was held in awe by the people of the peaceful community. A woman approached me. She wanted to come and stay in the big house by the wide river of sparks with my father and I, to learn the mysteries.
The soul of a person can teach her ... the Baal Shem Tov, tzadik of the Hasidic Traditon
And ultimately, it is only in perfect love and perfect trust that we may abide by the Law ... Karl Lembke, witch of the StarKindler Tradition
Sunday, January 13, 2008
Temperance & The River Of Sparks
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Labels: cord, dreams, kabbalah, messianic consciousness, pharaoh, witchcraft
Saturday, January 12, 2008
Gateway
ו' בשבט תשס"ח
Imbolgen 6
I literally and physically took my spirit cord to the crossroads this motzi shabbat.
Just as there is a 3-shin and a 4-shin in Hebrew, and just as there are 3 and 4 Celtic fire festivals, there is a liminal crossroads of 3 and 4 roads in witchcraft. The crossroads of 4 represents the 4 directions (E-N-S-W), while the crossroads of 3 represents a central locus of consciousness experiencing involutionary (above, surrounding, moving inward, mekabel) and evolutionary (below, projective, moving outward, mashpiya) movements with respect to the central mediating locus of consciousness.
With 7 directions, governed by the Queen of Witches, particularly on this motzi shabbat sixth day of Shevat/Imbolgen, the crossroads is a liminal no-man's land, a chalal hapanui, and a gateway to the extraordinary.
The crossroads ritual was performed with the waxing crescent moon 21% full.
Following the ritual, I gave a gift of blessing to the peaceful elementals, nature spirits and faeries who dwell at the crossroads. The physical vehicle for the blessing gift consisted of dandelion soaked in olive oil from upon my altar, pomegranate seeds, salted bread, myrrh, mugwort and cedarwood.
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Labels: archetypes, cord, crossroads, faeries, fire festivals, kabbalah, mystical initiation, phenomenon, ritual, witch, witchcraft
Wednesday, January 09, 2008
Deficiency Free Audit
ב' בשבט תשס"ח
Imbolgen 2
Mazel tov to all my excellent colleagues at The Waters! We had a deficiency free state survey!
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For The Record
ב' בשבט תשס"ח
Imbolgen 2
In follow-up to my previous entry, Lashes Of Fire, here are additional "coincidental" data for the record:
1. Lead-Pouring, Fire & "The End Of Orthodox Judaism?" - see linked article
2. There was a funeral this past Monday for a woman who recently passed away in the local Jewish community.
3. "Handle her"
4. The Jewitch's Flame Tells A Story
Are these things all connected? I don't know, but here are the real world data.
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Labels: black magick, pulsa denura
Tuesday, January 08, 2008
Lashes Of Fire
ב' בשבט תשס"ח
Imbolgen 2
I have to consider the question - was somebody trying to "handle the Jewitch" and the attempt went bad, falling out into the life of another?
In a previous entry, describing the hazardous jumping flame of my black ritual candle this past shabbat, I wrote:
This Shabbat, the black wax of my main ritual candle was cut quickly and completely down one side like a river cut into the wax (as the deep melted pool of wax drained from around the wick) to the candle holder (over 1-2 inches depending on the perspective of timeline) by the very high radically jumping and leaping flame connected to the wick’s fire. It happened so fast that I only noticed it as the melted black wax was already pouring down the side of my altar. The flame was so unusually high-jumping (I’d estimate it reached 6-9 inches at times), it was so furiously energetic, that I had put it out with a candle snuffer lest it reach over and catch fire the cloth which covered my crystal ball. After putting out the potential fire hazard, I stuck a fingertip into the melted, still warm but cooling, wax on the side of my altar cloth. I’m not sure why I did this. I just did it. I wanted to know the feel of the wax. What was the story it had to tell?
Now, three days later, this is in the news:
2 Girls Killed in 'Strange Ritual' Slaying in Iowa
Tuesday, January 08, 2008
DES MOINES, Iowa — A man has been charged with the stabbing and strangulation murder of his two stepdaughters in what police are calling a "spell gone bad" in the family's Sioux City, Iowa, home.
Lawrence Douglas Harris Sr. was charged with two counts of first-degree murder after authorities arrived at his burning home and found the girls in their second-story bedroom and blood on Harris, police said Monday.
Police Lt. Marti Reilly said Harris had been performing "some strange ritual" and told officers he cast a spell that had gone bad. Reilly said he could offer no other details on how the girls were killed.
"You're talking about people casting spells, spells gone bad," Sioux City Police Chief Joe Frisbie said at a Monday press conference, according to the Sioux City Journal. "Obviously, there is a lot more going on here than a straightforward homicide."
The fire, which started in the basement of the home, caused only superficial damage, Reilly said. The cause of the fire remained under investigation.
Professor Helen A. Berger, author of three books on witches, told the Sioux City Journal she doubted anyone claiming to have killed children while casting a spell is a true practitioner of witchcraft.
"This is not a group that participates normally in violence, but it is a group that doesn't have firm boundaries, which means that anyone can make a claim to be a member," she told the newspaper.
Professor Berger speaks the truth. True witchcraft is not a violent craft, it is a nature-based spirituality. Nevertheless, there are sick people to be found among all religious or spiritual groups. Witches are not excluded from the ills that plague all humanity, and all religious groups.
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Labels: black magick, kabbalah, pulsa denura, witch's issues, witchcraft
Sunday, January 06, 2008
Impulse, Chasdai David Hane'emanim
כ"ח בטבת תשס"ח
Grael 29
In follow-up to earlier entries (Two Streams, One Winding Line of Consciousness and My Dreams In The News ... Again), a old poem (Impulse, with an address "host") and graphic from my musical website are relevant:
furiously alive, pouring into life
released lishmo
a driven cacophony, a roaring host of orot into keilim
a multitude of jumbled sparks flowing together
fashioning and perfecting, a kneading dew of truth
pivoting wavelets of night dancing down the light
as one unique note
beholding
bound together, yet blooming from the action
like an ibbur of resurrection
stringing kuzu bemukhsaz kuzu
darkly brilliant, the most gentle impulse
moving through it
graphic artistic credit:
the main figure in the graphic is from the photographic art of Leonard Nimoy
Note the position of the arms of the woman in the graphic and their positional similarity to the wax formation connected to my ritual Shabbat Witches Brew black pillar candle in the entry, Two Streams, One Winding Line Of Consciousness.
Also on the musical website page where this poem was first published many years ago is the animated "heartbeating" 4-shin (my original creation) made for Walking On Fire (musical website) with the caption "chasdai David hane'emanim". The impulsing 4-shin can be seen in this blog's sidebar.
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Saturday, January 05, 2008
My Dream In The News ... Again
כ"ח בטבת תשס"ח
Grael 29
In follow-up to my post Two Streams, One Winding Line Of Consciousness (describing a dream this morning of a raging river set free upon a street in Danville), I just came across this photo (shown) on the frontpage of Foxnews online this evening, about a massive levee break in Nevada. It looks amazingly similar to (but also not the same as) the "cut river" form made of the melting candle wax which preceded the dream last night (see graphic in linked post). This is yet another case (see here and here) where a dream (or focused action) of mine has clear immediate synchronicities with subsequent news events.
The caption of a second photo in the photo essay associated with the news event reads, "Jan. 5: A Reno HASTY team worker surveys the flooded area on Canary Circle in Fernley, Nev."
Describing my dream in the earlier post, I wrote, "I told everyone to walk carefully, not quickly, and to “feel out” each step each took “for him or herself” as they followed my footsteps across the raging river."
Nevada Levee Breaks; 3,500 Being Rescued
Saturday, January 05, 2008
FERNLEY, Nev. — Helicopters were rescuing Nevada residents from rooftops on Saturday after a levee broke, sending 3 feet of frigid water into hundreds of homes and endangering thousands.
Some 3,500 people were being evacuated in 26-degree weather as emergency crews worked to rescue the stranded after a 30-foot section of the levee broke along the Truckee Canal at 4:30 a.m.
"Our street was flooded, water to the edge of our driveway and rising quickly ... there's some cars there, the water's up to the doors," resident Bill Sanchez said.
There were no known injuries as of Saturday afternoon but officials had issued a flash flood warning.
The break might have been started by burrowing rodents, an official said.
Ernie Schank, president of the Truckee-Carson Irrigation District, said the break may have been caused by a rodent burrowing and weakening the canal's earthen bank.
Read full story at newslink above.
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Two Streams, One Winding Line Of Consciousness
כ"ז בטבת תשס"ח
Grael 28
This Shabbat, the black wax of my main ritual candle was cut quickly and completely down one side like a river cut into the wax (as the deep melted pool of wax drained from around the wick, see graphic, click to enlarge) to the candle holder (over 1-2 inches depending on the perspective of timeline) by the very high radically jumping and leaping flame connected to the wick’s fire. It happened so fast that I only noticed it as the melted black wax was already pouring down the side of my altar. The flame was so unusually high-jumping (I’d estimate it reached 6-9 inches at times), it was so furiously energetic, that I had put it out with a candle snuffer lest it reach over and catch fire the cloth which covered my crystal ball. After putting out the potential fire hazard, I stuck a fingertip into the melted, still warm but cooling, wax on the side of my altar cloth. I’m not sure why I did this. I just did it. I wanted to know the feel of the wax. What was the story it had to tell?
I read a bit of my new book, The Spirit Cord (whose esoteric disciplines I have begun to practice already), before going to sleep.
Following these things, Shabbat night I dreamt.
There was a pervasive catastrophe that devastated the area that included the city of Danville. The devastation bringing death concentrated east (tiferet) of Vermilion Street (which cuts through the center of the downtown business district in Danville). The raging torrent of a mighty river came with the devastating energy, flowing north (gevurah) to south (chesed) down Vermilion Street. Vermilion Street formed the “bed” (choshen mishpat) of the raging river which separated between the camp of life (located on the western side) and the camp of death (located on the eastern side).
Initially in the dream, my children and I lived on the eastern side where the death energy was beginning to concentrate. To escape it, we had to go west (yesod) and across the raging river. Unlike the Ba'al Shem Tov (who used a secret knowledge of Divine Names), I simply gathered up (enfolding involutionary stream) my children, who took the forms of a neutral colored slippery little earth-worm and a leather shoulder bag (like a Benjamin's bag) with a matching leather shoulder strap. I could easily and safely carry these forms with me across the raging river to safety. Before starting across the raging river, as I was about to tell the little earthworm form to get into a clear protective sandwich baggie (so it wouldn’t slip out of my grip as I carried it in the raging water), the little worm did it automatically as if it knew instinctively what it should do or what I was going to tell it. I had dipped the baggie into the river water so that it also contained a manageable amount of water to keep the worm wet and hydrated. As soon as I had done this and/or as I was doing it (simultaneously – tohu - yet distinctly in order - tikun) the worm entered into the clear baggie, which I carried in my hand. Similarly, the leather strapped-purse placed itself/was placed by me upon my shoulder.
Now my family and others who were walking with me toward safety stood together on the eastern bank of the raging river that was Vermilion Street, in the downtown business district. I was going to lead our little band across the raging river. I told everyone to walk carefully, not quickly, and to “feel out” each step each took “for him or herself” as they followed my footsteps across the raging river. They were to feel first before committing a foot to “stepping down” on the floor of the riverbed. The torrential churning current could wipe out the ground underwater and create a hole in the riverbed at any moment between individual steps. I explained, if a new hole arose, they were to take an alternate step than the one I took. "Don’t just step there because I did. See,” I said, feeling a new hole in the riverbed as I “felt” my own way as I started across, “here is a hole, and I am not stepping here (where my foot had originally been directed underneath the water and where those who followed could not see the redirection of my footstep in the churning water).” They indicated they understood. Carrying my children in easy-to-carry forms, one as a slippery worm in a river water-containing plastic baggie and two as the strap and bag of a leather purse, I continued through it, carefully feeling each step of the way. Many others followed my example across the raging river in one long winding single line (this is relevant to the purchase my besom yesterday morning, to the unbroken chain - mi'Sinai - of esoteric transmission, and to messianic consciousness) that extended from beyond the eastern (where death was concentrating in the dream) horizon behind me, across the river and onto the western shore.
I soon stepped centrally upon the western bank of the raging river to safety, as did all those behind me who had followed and were still (on the eastern side of the river) coming to join the “winding line” connected to a proven safe journey out of the camp of death and into the camp of life. I sat down for a moment to rest my aching (but not hurt) left hip muscle that had borne the primary portion of the burden of the workload of making it across.
As my children and I rested there, we “unwrapped” (unfolding evolutionary stream) ourselves in the atmosphere of safety on the western shore. I recognized an acquaintance (no form of any particular person I know in real life) sitting to the north of me who had also made it across the raging river. He appeared emotionally at a loss. Recognizing me as well, he got up from where he was sitting and walked over to me. He told me he had lost his family in the catastrophe and was alone. We reached out to one another simultaneously and placed our hands on the other’s opposite shoulders in a comforting gesture. Then, we leaned forward and touched our foreheads together, also a comforting gesture.
I woke up.
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Labels: ba'alat shem tov, besom, ceromancy, chalice, cord, dreams, evolution of woman, jewitchery, kabbalah, lost temple, messianic consciousness, shamir, tefillin, temple, tools, witchcraft
Tuesday, January 01, 2008
Just Two Shabbatot
כ"ד בטבת תשס"ח
Grael 25
In my previous entry describing this morning's dream, Cleave Land, I wrote:
There were so many singing red birds that the songs and the birds themselves blurred into one sound and sight of indistinct red chaos, yet I concentrated (almost as if pulling myself inward together) to listen for a distinct message to come out from among them.
I focused.
The first mystical action of "concentrating to pull myself in" is related to an entry posted nearly 2 shabbatot ago, Mirror Magic, where I wrote:
A concave mirror is "where a parallel beam of light becomes a convergent beam, whose rays intersect in the focus of the mirror." (Wiki)
The second mystical action of further "focusing" is related to last shabbat's entry, Wisdom Casting Cloth, where I wrote:
The square of the cloth symbolizes the Middle World, ha'Emtsa.
The inner square (Midhe) is comprised of 7-7.2" lines and symbolizes focus or the powers of concentration, memory, recognition, and sensitivity to meaning.
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Cleave Land
כ"ג בטבת תשס"ח
Grael 24
Among the many parts of a dream this morning, one scene stands out - I was traveling down and around the corner of a street named "Cleave"land. Off to the side of the road there was a huge field completely full of singing red birds. There were so many singing red birds that the songs and the birds themselves blurred into one sound and sight of indistinct red chaos, yet I concentrated (almost as if pulling myself inward together) to listen for a distinct message to come out from among them.
I focused. Many of the red birds suddenly just disappeared as if lifted off the page of the "place" I was seeing. No longer was there a blur of song and redness. Though the field was still full of birds, now I could see individual birds, whereas before they had all blurred together. Most were still red birds, but I could now see that there were birds of other colors scattered among them as well. Now, there was even a particular black bird whose voice emerged from the group and pulled my attention toward it. The black bird's song rose up as an individual song directly into my ear distinctly, out from the field of many birds. The black bird seemed to pull itself up out of the field and toward my face on the "string" connected to it's individual song which had attached to my attention. In other words, my attention gave the black bird's song a point of attachment at the end opposite the black bird, making the particular black bird's song a stabilized pulley. The other birdsongs were just unattached strings blowing in the wind. With an opposite attachment, a bird could pull itself up and out from among the many of the field. Why, it could even fly!
I woke up.
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Labels: dreams



